Action Movie লেবেলটি সহ পোস্টগুলি দেখানো হচ্ছে৷ সকল পোস্ট দেখান
Action Movie লেবেলটি সহ পোস্টগুলি দেখানো হচ্ছে৷ সকল পোস্ট দেখান

রবিবার, ৩১ জানুয়ারী, ২০১৬

The Italian Job

After being betrayed and left for dead in Italy, Charlie Croker and his team plan an elaborate gold heist against their former ally. 

Director: F. Gary Gray

Writers: Troy Kennedy-Martin, Donna Powers (screenplay)

Stars: Donald Sutherland, Mark Wahlberg, Edward Norton


Storyline

Led by John Bridger (Donald Sutherland) and Charlie Croker (Mark Wahlberg) a team is assembled for one last heist to steal $35 million in gold bars from a heavily guarded safe in Venice, Italy. After successfully pulling off the heist, a team member, Steve (Edward Norton), driven by greed and jealousy, arranges to take the gold for himself and eliminate the remaining members of the group. Thinking the team dead, he returns to L.A. with the gold. Charlie and the survivors of this betrayal follow Steve L.A. to exact revenge against the traitor. Charlie enlists the help of John Bridger's daughter, Stella (Charlize Theron) - a professional safe cracker, to get revenge. With Stella and the hacking skills of Lyle (Seth Green), the explosives skills of "Left Ear" (Yasiin Bey), and the driving skills of "Handsome" Rob (Jason Statham) this new team plans and executes a daring heist that weaves through the freeways and subways of L.A.
 

The Italian Job Movie Reviews

 
I enjoyed the movie very much. Everything in The Italian Job is simple. An explosive guy, a safe-cracker, a computer genius, a wheel-man and a man with a spectacular plan of stealing 35 million without using a gun. This film is entertaining although it has no central idea. It is a non-stop movie with lots of actions. All the stunt work is gorgeous. From the speedboat chase in Venice at the beginning to the chase on the busy roads in Los Angeles involving three mini coopers and even a helicopter. The best boast chase I have ever seen. I like the mini coopers. The expert thieves used mini coopers for the getaway cars. The chase between the mini coopers and the motor-bikes is amazing. They chased underground. I can say there was not a moment I was bored. Mark Wahlberg (Charlie Croker), Charlize Theron (Stella Bridger), Donald Sutherland (John Bridger), Jason Statham (Handsome Rob), Seth Green (Lyle), Mos Def (Left Ear) and Edwin Norton (Steve) really did a good job. I like the actors in this film. I have seen a lot of heist movie but The Italian Job& is one of my favourites. A great Hollywood action movie without a drop of blood. After all, I do love this kind of movie.
 

শুক্রবার, ২৯ জানুয়ারী, ২০১৬

Mission: Impossible - Ghost Protocol

The IMF is shut down when it's implicated in the bombing of the Kremlin, causing Ethan Hunt and his new team to go rogue to clear their organization's name. 

Director: Brad Bird

Writers: Bruce Geller (television series "Mission: Impossible"), Josh Appelbaum

Stars: Tom Cruise, Jeremy Renner, Simon Pegg


Storyline

In the fourth installment of the Mission Impossible series, Ethan Hunt and a new team race against time to track down Hendricks, a dangerous terrorist who has gained access to Russian nuclear launch codes and is planning a strike on the United States. An attempt by the team to stop him at the Kremlin ends in a disaster, with an explosion causing severe damage to the Kremlin and the IMF being implicated in the bombing, forcing the President to invoke Ghost Protocol, under which the IMF is disavowed, and will be offered no help or backup in any form. Undaunted, Ethan and his team chase Hendricks to Dubai, and from there to Mumbai, but several spectacular action sequences later, they might still be too late to stop a disaster.
 

Mission: Impossible - Ghost Protocol Movie Reviews

 


Clearly JJ Abram's mission impossible, should he choose to accept it, is to lead a talented team to resurrect a declining franchise and re-ignite it with renewed vigour and a very high dosage of fun and entertainment.

I'm glad to say, mission highly accomplished.

Brad Bird's first time direction of real actors (must have been a shock when they talked back at him) exhibits the same zestful energy and fun that we got from his animated films such as The Incredibles. Though not with the subtlety of his Iron Giant but this is Mission Impossible, so we cant expect that kind of subtlety here.

Story is outrageously OTT and thats how it should be for a franchise that violently throws plausibility out of the window with much deliberation. Not much else to say about the story apart from the fact that it can easily be translated into a Bond movie. We're in that kind of villainous territory here and it is fun.

The action sequences are inventive, relentless, fun and tense. Some scenes are filmed in IMAX format and when seen on an IMAX screen, are breathtaking and immersing.

As well as Brad Bird's energised and retro direction, the cast really sparkles too. Cruise rocks as an action stunt hero. In fact more so now than he ever did. His traditional self stunt work in this series continues to impress particular in his skyscraper scenes. There is also more playfulness and assuredness in a role he has now worn into nicely. Simon Pegg gets a delightfully big promotion to join Hunt's team making us laugh throughout the movie. And Paula Patton adds an elegant sexiness to the MI team missions. Another new addition to the team, Jeremy Renner also gels smoothly into the squad.

This film has drastically rejuvenated the franchise that I now highly anticipate further adventures of Ethan Hunt and his new vibrant team, equally or even more so than the next James Bond movie.
 

Transformers

An ancient struggle between two Cybertronian races, the heroic Autobots and the evil Decepticons, comes to Earth, with a clue to the ultimate power held by a teenager. 

Director: Michael Bay

Writers: Roberto Orci (screenplay), Alex Kurtzman (screenplay)

Stars: Shia LaBeouf, Megan Fox, Josh Duhamel


Storyline

A long time ago, far away on the planet of Cybertron, a war is being waged between the noble Autobots (led by the wise Optimus Prime) and the devious Decepticons (commanded by the dreaded Megatron) for control over the Allspark, a mystical talisman that would grant unlimited power to whoever possesses it. The Autobots managed to smuggle the Allspark off the planet, but Megatron blasts off in search of it. He eventually tracks it to the planet of Earth (circa 1850), but his reckless desire for power sends him right into the Arctic Ocean, and the sheer cold forces him into a paralyzed state. His body is later found by Captain Archibald Witwicky, but before going into a comatose state Megatron uses the last of his energy to engrave into the Captain's glasses a map showing the location of the Allspark, and to send a transmission to Cybertron. Megatron is then carried away aboard the Captain's ship. A century later, Captain Witwicky's grandson Sam Witwicky (nicknamed Spike by his friends) ...
 

Transformers Movie Reviews

 
After a series of disappointments this summer (Spidey 3, Pirates 3, FF2) I was not massively optimistic about this one, especially given the involvement of Michael Bay, despite the decent advance press I'd seen. Well, how wrong was I? This movie absolutely nails it, Bay does a terrific job, Shia LaBeouf is superb, the script is (deliberately) hilarious and the robots…ahh, the robots! They're uniformly magnificent, setting a new high-water mark for CGI, and adding everything that they should to this thrill-ride. Speaking as a Transformers G1 toy geek (I can freely quote the mottos from the little stats card that was on the boxes – and Megatron was my favourite) I am totally at ease with the design and vehicle changes that have been made – movies are not toys and it isn't the 80s. Everyone should go see this film to make sure that they do the decent thing and start prepping the sequel immediately!
 

The Count of Monte Cristo

A young man, falsely imprisoned by his jealous "friend," escapes and uses a hidden treasure to exact his revenge. 

Director: Kevin Reynolds

Writers: Alexandre Dumas père (novel), Jay Wolpert (screenplay)

Stars: Jim Caviezel, Guy Pearce, Richard Harris

 

Storyline

'The Count of Monte Cristo' is a remake of the Alexander Dumas tale by the same name. Dantes, a sailor who is falsely accused of treason by his best friend Fernand, who wants Dantes' girlfriend Mercedes for himself. Dantes is imprisoned on the island prison of Chateau d'If for 13 years, where he plots revenge against those who betrayed him. With the help of another prisoner, he escapes the island and proceeds to transform himself into the wealthy Count of Monte Cristo as part of his plan to exact revenge.

 

The Count of Monte Cristo Movie Reviews

"The Count of Monte Cristo" by Dumas is one of my favorite books, it keeps you on your toes the whole time, guessing what will happen next. The movie doesn't accomplish this as well. While the book is subtle with the Count's revenge, the movie screams for all to hear. "The Count of Monte Cristo, formerly Edmund Dantes is going to get revenge on his friends!!!" They left out 3 main characters, and DRASTICALLY changed the ending, they had to, the end involves those 3 characters they left out. But I did like the movie and if you enjoy it too I encourage you to read the book!


Live Free or Die Hard

John McClane and a young hacker join forces to take down master cyber-terrorist Thomas Gabriel in Washington D.C. 

Director: Len Wiseman

Writers: Mark Bomback (screenplay), Mark Bomback (story)

Stars: Bruce Willis, Justin Long, Timothy Olyphant


Storyline

When someone hacks into the computers at the FBI's Cyber Crime Division; the Director decides to round up all the hackers who could have done this. When he's told that because it's the 4th of July most of their agents are not around so they might have trouble getting people to get the hackers. So he instructs them to get local PD'S to take care of it. And one of the cops they ask is John McClane who is tasked with bringing a hacker named Farrell to the FBI. But as soon as he gets there someone starts shooting at them. McClane manages to get them out but they're still being pursued. And it's just when McClane arrives in Washington that the whole system breaks down and chaos ensues.
 

Live Free or Die Hard Movie Reviews

 
"Live Free or Die Hard" is quite a refreshing piece of entertainment this summer in the wake of so many effects-driven computer simulated action/fantasy films. With its silly title, smart-alleck lead character (Bruce Willis as Bruce Willis doing John McClane), and loads of old fashioned stunts involving cars, SUV's, elevator shafts, big rigs, helicopters, fighter jets, and collapsing highway bridges, this flick is a great piece of shattered-glass entertainment--a throwback to the late 1980's and early 1990's when movies like the original "Die Hard" changed the face of movie action.

There is some frustration to be had when you start to realize how much they toned down to achieve the friendly PG-13 rating. There's far less profanity flying, and while the body count is astronomically high (the collateral damage in this film in terms of human life and damaged property is tres magnifique), there's little blood and guts to be found. Still, die hard "Die Hard" action fans should rest assured knowing there will be plenty of funny one-liners, hot chicks (a wonderful Maggie Q as the bad-ass female villain and the scorchingly feisty and cute Mary Elizabeth Winstead as Lucy McClane), super smart bad guys (a very good Timothy Olyphant), and jaw-dropping death-defying stunts.

Director Len Wiseman orchestrates the complicated stunts very well like a masterful puppeteer, which is a shock considering how god-awful his "Underworld" films were. The hand-to-hand human match-ups still bear some of his annoying hallmarks, but he's learned how to blow things up really well and has learned a thing or two about scope and editing in big action set-pieces. The excellent pacing and preposterousness of the stunts (especially the climax involving the fighter jet and the big rig) certainly put a smile on my face.

There's a whole lot of computer hacking related mumbo-jumbo involved in the story, and there's a lot of downtime for male bonding and "explanation" of the finer plot points that slows the film down some but is actually nice to see in a world now ruled by Michael Bay-style non-stop action. Plenty dumb, plenty thrilling, and plenty of fun, "Live Free or Die Hard" is a pleasant surprise considering how unnecessary this sequel seemed from conception.
 

বুধবার, ২৭ জানুয়ারী, ২০১৬

Zombieland

A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.

Director: Ruben Fleischer

Writers: Rhett Reese,

Stars: Jesse Eisenberg, Emma Stone, Woody Harrelson

Storyline

Searching for family. In the early twenty-first century, zombies have taken over America. A shy and inexperienced college student in Texas has survived by following his 30 rules: such as "look in the back seat," "double-tap," "avoid public restrooms." He decides to travel to Ohio to see if his parents are alive. He gets a ride with a boisterous zombie-hating good-old boy headed for Florida, and soon they confront a young woman whose sister has been bitten by a zombie and wants to be put out of her misery. The sisters were headed to an LA amusement park they've heard is zombie free. Can the kid from Ohio get to his family? And what about rule thirty one?

 

Zombieland Movie Reviews

 
(Synopsis) The entire world is hit with an apocalyptic infection that turns people into zombies once they have been bitten by an infected zombie. Columbus (Jesse Eisenberg) is a young geek who has a lot of phobias about almost everything from clowns, to bathrooms, to checking the back seat of cars. Being alone and scared of the outside world has kept him alive. His new fear is being eaten by zombies. To survive, Columbus has begun making a long list of rules to survive. Each time he gives you one of his rules, you see an example of his rule in action. He decides to go home to Columbus to see if his parents are still alive. Along the highway, he meets Tallahassee (Woody Harrelson) a redneck zombie killer who loves Twinkies. They team up and head for Tallahassee. On the way they meet and join forces with two girls, Wichita (Emma Stone) and Little Rock (Abagail Breslin). They may be the last surviving people on earth, and they must rely on each other to survive.

(My Comment) Zombieland is a horror comedy at its best. You usually don't see a zombie movie as a comedy, but you will like this one. Actually this isn't really a comedy; it is more a funny horror movie, because there is bloodshed in a comic situation. There is plenty of blood splattering, plenty of killing and gore, and even some nudity of a stripper zombie. The film delivers you four heroes that you can root for when the zombies come after them. You will begin to love the scenes with the rules of survival that Jesse Eisenberg explains to the audience in a background voice such as wearing your seat-belt, or the double-tap rule after you shoot a zombie make sure he is dead by shooting him in the head again. Trust me; this is not a wasted shot. Woody Harrelson's performance is terrific, as a redneck zombie killer who misses his puppy Buck, and must find a Twinkie at any cost. There is one unforgettable cameo appearance that will take place at someone's Beverly Hills mansion. I won't say his name, but it is hilarious. There is one thing that I must say about this zombie movie that is not normally in zombie movies, and that is the fact that once these zombies are infected they can run very fast. As a matter of fact that is rule number 1, be sure that you can outrun the zombies, because the overweight and slow people were caught first by the zombies. There are some pretty funny scenes, and you will laugh from beginning to end. (Columbia Pictures, Run Time 1:20, Rated R)(7/10)

Crank

Professional assassin Chev Chelios learns his rival has injected him with a poison that will kill him if his heart rate drops.

Directors: Mark Neveldine (as Neveldine), Brian Taylor (as Taylor)

Writers: Mark Neveldine (as Neveldine), Brian Taylor (as Taylor)

Stars: Jason Statham, Amy Smart, Carlos Sanz


Storyline

When the hit-man Chev Chelios is poisoned by the criminal Verona. His friend and doctor Miles advises him that he must keep his adrenaline levels elevated to stay alive. Chev meets his girlfriend Eve and together they look for Verona to kill him.
 

Crank Movie Reviews

 
This movie really is fully packed with action and humor. it has everything that can keep your heart pumping for the whole movie.

A hit-man chasing and killing bad guys with guns knives and everything he can find. there is a lot of gunfight and explosives. But the movie really is funny too. the whole crowd in the theater were laughing out loud here at the "avant-première" in Montreal.

during the opening sequence, some dizziness begin to overwhelm you because of a shaky and blurred camera but i guess this is exactly what the director was expecting. This "shaky hand" camera effect is reused throughout the movie adding to the perspective and helps one get plunged in the movie.

The special effects are mainly car crashes and explosions, but are really well executed and very inventive. And the story, well, the story isn't really what you seek when choosing to go see this kind of movies, but in crank, the storyline is actually pretty good. It could probably be resumed in half a page though :)

I would say that it is one of the most balanced humor/action movie i've seen in the past years.
 

The Good, the Bad, the Weird

The story of two outlaws and a bounty hunter in 1940s Manchuria and their rivalry to possess a treasure map while being pursued by the Japanese army and Chinese bandits. 

Director: Jee-woon Kim (as Kim Jee-woon)

Writers: Jee-woon Kim (screenplay) (as Kim Jee-woon), Min-suk Kim (screenplay)

Stars: Kang-ho Song, Byung-hun Lee, Woo-sung Jung


Storyline

A guksu western. Three Korean gunslingers are in Manchuria circa World War II: Do-wan, an upright bounty hunter, Chang-yi, a thin-skinned and ruthless killer, and Tae-goo, a train robber with nine lives. Tae-goo finds a map he's convinced leads to buried treasure; Chang-yi wants it as well for less clear reasons. Do-wan tracks the map knowing it will bring him to Chang-yi, Tae-goo, and reward money. Occupying Japanese forces and their Manchurian collaborators also want the map, as does the Ghost Market Gang who hangs out at a thieves' bazaar. These enemies cross paths frequently and dead bodies pile up. Will anyone find the map's destination and survive to tell the tale?
 

The Good, the Bad, the Weird Movie Reviews

 
Of the few Korean films i have seen , the best word to describe them all is eccentric and The Good The Bad & The Weird certainly lives up to that. This movie looks fantastic , almost epic like and you can see a lot of money was spent on the set . It really does have the feel of a western and the three main characters are all very interesting in their own right. The story is a simple one , three men ( and their cronies) are after a treasure map and they will do anything to get hold of it. The minus points of this film are that its half an hour too long and that at times it's to frenetic. Because of the constant action you get a little bombarded with it after a while. On the whole i enjoyed this film but im not too sure i would ever watch it again.
 

Election

Rival gang leaders are locked in a struggle to become the new chairman of Hong Kong's Triad society. 

Director: Johnnie To

Writers: Nai-Hoi Yau (as Yau Nai Hoi), Tin-Shing Yip (as Yip Tin Shing)

Stars: Louis Koo, Suet Lam, Tony Ka Fai Leung


Storyline

Rival gang leaders are locked in a struggle to become the new chairman of Hong Kong's Triad society. 

Election Movie Reviews

 
Despite a tight narrative, Johnnie To's Election feels at times like it was once a longer picture, with many characters and plot strands abandoned or ultimately unresolved. Some of these are dealt with in the truly excellent and far superior sequel, Election 2: Harmony is a Virtue, but it's still a dependably enthralling thriller about a contested Triad election that bypasses the usual shootouts and explosions (though not the violence) in favour of constantly shifting alliances that can turn in the time it takes to make a phone call. It's also a film where the most ruthless character isn't always the most threatening one, as the chilling ending makes only too clear: one can imagine a lifetime of psychological counselling being necessary for all the trauma that one inflicts on one unfortunate bystander.

Simon Yam, all too often a variable actor but always at his best under To's direction, has possibly never been better in the lead, not least because Tony Leung's much more extrovert performance makes his stillness more the powerful.

Triad Election

As election time nears, current Triad chairman Lok (Yam) faces competition from his godsons. At the same time, Jimmy (Koo) looks to increase his business relations with mainland China. 

Director: Johnnie To

Writers: Nai-Hoi Yau (as Yau Nai Hoi), Tin-Shing Yip (as Yip Tin Shing)

Stars: Louis Koo, Simon Yam, Nick Cheung


Storyline

As election time nears, current Triad chairman Lok (Yam) faces competition from his godsons. At the same time, Jimmy (Koo) looks to increase his business relations with mainland China. 

Triad Election Movie Reviews

 
It's always nice to fallow the evolution of some characters through the years from films to films. You have the impression to see old friends again after a long separation. But in the triad world of "Election 2", this friends are rather bad and dangerous, and the two years that separate this second opus from the first haven't really improve, nor their friendship, nor the situation. If the first "Election" already was a death fight in order to elect the boss of a important HK triad, this one, setting two years after, is more a complete blood bath, where the most barbarian acts are tolerated. The old triad traditions, that manage to contain the savagery of the characters in the first movie, don't belong to the modern world anymore, for the opening of the Chinese market to the Triads in 1997 completely changes its face.

The characters who manage to survive to the first movie are now about to face a new election, which opposes this time Lok, who wants to be reelected and the young Jimmy, who's quite reluctant to become the new boos, but has to win the election, in order to become a traditional business man in two years. In this second movie, the characters have much more elaborated than in the first one, for they're acting in a tragedy play, with much more powerful actors than them.

Lok isn't the calm and self-control man he once was, he's now obsessed with power and greed. And Jimmy is the classical tragic Corleone character of a gangster movie, who wants to go straight, but only goes deeper and deeper in the evil world of the Triad.

As well as the characters, the political aspect of the movie is also well develops. If the first film mostly deals with ancestral Trial rituals, the second one brings a contemporary point of view on this, and lights the links between HK Triads and Chinese government, which really control them since 1997.

This movie is also more violent than the first, guns appear (whereas they were inexistent in "Election 1"), and a magisterially gore torture scene (with dog and human food...) greatly increase the emotional impact of the movie and underlines the abominations man is able to do in order to archive his need of power.

All this elements makes "Election 2" a entertaining and interesting movie, and elects Jhonny To as one of the most interesting filmmaker of Hong-Kong. But his very classical direction (the movie always looks like a classical 90's HK polar), and storyline (the story of Jimmy is very similar to the Michael Corleone one, with some Melvillle elements, and a soundtrack very similar to the one you can find in Corean Thrillers) makes him a lot less original, than directors like Wong Kar-Wai or Hark Tsui, who is always the godfather of HK cinema.

Underworld

Selene, a beautiful vampire warrior, entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a human who is sought by werewolves for unknown reasons. 

Director: Len Wiseman

Writers: Kevin Grevioux (story), Len Wiseman (story)

Stars: Kate Beckinsale, Scott Speedman, Shane Brolly


Storyline

A war has been raging between the Vampires and Lycan for centuries, Selene (Beckinsale) is a death dealer, assigned to hunt down and eradicate the last of the Lycan. When she comes across Michael Corvin (Speedman) who holds the key to end the war she must decide where her allegiances will lie.
 

Underworld Movie Reviews

 
As soon as I saw the preview to this film I wrote it off as a silly Matrix rip-off trying to attack a subject that is so tired (vampires/werewolves). I really never had any intention of seeing Underworld until my girlfriend, who saw it in theaters, repeatedly suggested I watch it. After watching the DVD just now I must say that I enjoyed it a lot. I was completely into the story, which is surprisingly rich and engaging. One would have to be a bit naïve not to admit that Underworld does indeed borrow from a variety of action films, most notably The Matrix. It should be obvious to any free-thinking person that none of the ideas present in Underworld are original, but what this film does well is take ideas that were established in the past and build on them more. This is by no means a carbon copy of any of the films from which it borrows from. Slow motion gun battles didn't originate with the Matrix films. The most refreshing aspect of this movie is the story, which surprisingly has many layers and puts a totally fresh new spin on the vampire/werewolf stories. This aspect, along with the excellent visual effects makes Underworld an enjoyable experience. A sequel for this is inevitable, and I must say that I'm really looking forward to it. Underworld was a very pleasant surprise.

*** out of **** stars
 

Dog Soldiers

A routine military exercise turns into a nightmare in the Scotland wilderness. 

Director: Neil Marshall

Writer: Neil Marshall

Stars: Sean Pertwee, Kevin McKidd, Emma Cleasby


Storyline

A British Squad is sent on a training mission in the Highlands of Scotland against Special Operations squad. Ignoring the childish "campfire" stories heard about the area, they continue with their mission and come across the bloody remains of the Special Ops Squad, and a fierce howling is pitching the night sky... With two mortally wounded men, they make an escape, running into a zoologist by the name of Megan - who knows exactly what hunts them. What began as what they thought was a training mission turns into a battle for their lives against the most unlikely enemies they would have expected - werewolves.
 

Dog Soldiers Movie Reviews

 

I must admit that I was pretty skeptical when i picked it up from the rack at my DVD retailer. A werewolf movie? Aren't they generally so bad no one wants to watch them/buy them? The fact that it was on sale didn't help, but I braced myself and got it figuring that if it was bad, I'd bury it in some deep deep cave and never let it out. But the movie got me out of my seat with excitement and enjoyment at the action and the thrills. I remember checking the time on the DVD player and wincing at the fact I had only half an hour of film left to enjoy. True, I have seen better special effects. And true some things aren't very realistic (and the producers acknowledge those things). But for a studio I have never heard of with a budget far inferior to those of Hollywood super productions, I found those effects very well done.

The Host

A monster emerges from Seoul's Han River and focuses its attention on attacking people. One victim's loving family does what it can to rescue her from its clutches. 

Director: Joon Ho Bong

Writers: Joon Ho Bong (screenplay), Won-jun Ha (screenplay) (as Jun-won Ha)

Stars: Kang-ho Song, Hie-bong Byeon, Hae-il Park


Storyline

The film revolves around Park Hee-bong, a man in his late 60s. He runs a small snack bar on the banks of the Han River and lives with his two sons, one daughter, and one granddaughter. The Parks seem to lead a quite ordinary and peaceful life, but maybe they are a bit poorer than the average Seoulite. Hee-bong's elder son Gang-du is an immature and incompetent man in his 40s, whose wife left home long ago. Nam-il is the youngest son, an unemployed grumbler, and daughter Nam-joo is an archery medalist and member of the national team. One day, an unidentified monster suddenly appears from the depths of the Han River and spreads panic and death, and Gang-du's daughter Hyun-seo is carried off by the monster and disappears. All of the family members are in a great agony because they lost someone very dear to them. But when they find out she is still alive, they resolve to save her.
 

The Host Movie Reviews

 
What else is there to say? The Host elicits every feeling, every sense of urgency, dread, sadness and happiness with ease. And somehow it manages to cram all of that into the first fifthteen minutes. After that it speeds along and doesn't let up. I was with it till the end, laughing when I was supposed to, crying, and even cheering. It is one of those rare films that blends all the respective genres into one with an almost scary simplicity. I shouldn't be surprised, it is from writer and director Joon Ho Bong whose last films the equally brilliant Memories of Murder and the excellent black comedy Barking Dogs Never Bite featured a similar feeling.

How does the man do it? Like with his other films particularly Memories of Murder he manages to break the conventions of the genre by frequently poking fun at the rather stale "monster" genre and by taking a fresh, appealing perspective. It's funny at all the right moments and even in moments when you feel you shouldn't be laughing you cant help but laugh. It's full of vibrantly realized characters, who each have their "moment" that make you laugh at the ridiculousness or gasp at the coolness. It is written with care and love, the pace never stagnates and the dialogue is never forced. The CG monster effects are nice and appropriately unrealistic in appearance. Perhaps too unconventional for American audiences but it really works in the context of the films rather serious yet quirky atmosphere. The acting is excellent, Kang Ho-Song continues to impress, star in the making Ah-sung Ko gives a very good first performance, and the rest of the cast give great performances. All managing the frequent dips into serious and comical and even both at the same time.

The Host is a brilliant, brilliant film. I'm so pleased I had the pleasure of seeing it at the cinemas, the way it deserves to be seen. Despite fitting into a rather common genre, The Host is an original. It is a unique and refreshing film, full of charming characters, awesome action sequences and even an emotional poignancy that weaves itself into the film at the most appropriate of times.

The Host is undoubtedly my favourite film of the year and one of the most entertaining films I have seen in recent years. If you like your films to be highly enjoyable, but also smart and even emotional, you will love what The Host has to offer.
 

Layer Cake

A successful cocaine dealer gets two tough assignments from his boss on the eve of his planned early retirement. 

Director: Matthew Vaughn

Writers: J.J. Connolly (screenplay), J.J. Connolly (novel)

Stars: Daniel Craig, Sienna Miller, Michael Gambon


Storyline

A successful cocaine dealer, who has earned a respected place among England's Mafia elite, plans an early retirement from the business. However, big boss Jimmy Price hands down a tough assignment: find Charlotte Ryder, the missing rich princess daughter of Jimmy's old pal Edward, a powerful construction business player and gossip papers socialite. Complicating matters are two million pounds' worth of Grade A ecstasy, a brutal neo-Nazi sect and a whole series of double crossings. The title "LAYER CAKE" refers to the layers or levels anyone in business goes through in rising to the top. What is revealed is a modern underworld where the rules have changed. There are no 'codes', or 'families' and respect lasts as long as a line. Not knowing who he can trust, he has to use all his 'savvy', 'telling' and skills which make him one of the best, to escape his own. The ultimate last job, a love interest called Tammy, and an international drug ring threaten to draw him back into the 'cake mix'. ... 
 

Layer Cake Movie Reviews

 
After being cast as Bond, Daniel Craig's back catalogue is now much sought after. Although Craig came to most of the UK's attention with a stand out performance in Our Friends in the North, it's Layer Cake that showcases why he got the Bond audition. Perhaps now, this strong contender for the best thriller of the year may find the audience it deserves. Mis-sold as a more art house friendly addition to the Guy Ritchie school of crime films, Layer Cake is a unique and remarkable experience.

The plot is deceivingly simple and would wrongly be placed in the gangster-wanting-to-retire-peacefully cinema staple seen frequently in Al Pacino movies. It is a much greater accomplishment that the audacious visual style, superb script and excellent performances make easy comparisons to this film pretty difficult. If anything it is closer to Schrader's 'American Gigalo' where the morally questionable hero is engulfed in a situation going on around him. The predominantly male cast is faultless with everyone from Dexter Fletcher to Michael Gambon putting in superb turns to give the characters justice. Far more human than the cartoon stereotypes we've come to expect after so very many Brit gangster flicks. Craig has never looked in better shape for taking on Hollywood.

Hats off then to Matthew Vaugn for filming Britain as it can look. Grimy in places but every bit astonishing in locations as our Stateside cousins. We've grown too used to seeing rain pouring and hackneyed clichés that have represented this country on celluloid. It's not foppish. It's not Bend It Like Beckham. So there really is no excuse left not to see it (aside from the awful trailer). Layer Cake deserves a wide audience and there's more than enough of everything for everyone to enjoy. At times hilarious, astonishingly frank and incredibly concise the whole film is a pure joy and clearly made for people that love film. Makes you wonder why they can't all be as classy as this.
 

Shaolin Soccer

A young Shaolin follower reunites with his discouraged brothers to form a soccer team using their martial art skills to their advantage.

Director: Stephen Chow

Writers: Stephen Chow, Kan-Cheung Tsang (as Tsang Kan Cheong)

Stars: Stephen Chow, Wei Zhao, Yat-Fei Wong


Storyline

After a fateful mistake costing his career, an ex-soccer player bum meets a shaolin kung fu student trying to spread the word of kung fu. The ex-soccer player helps reconcile with his five brothers, and teaches them soccer, adding shaolin kung fu as a twist.
 

Shaolin Soccer Movie Reviews

 
Wow, I was really surprised by this movie. It is totally unique, I've never seen anything else like it. There is a very charming love story, and the effects are really cool. The idea of combining kung fu with soccer is very original.... even though it's so bizarre, you'll find yourself asking why nobody has done anything like this before. I laughed constantly throughout this movie and went out and bought it a few days after I first saw it.

I would recommend it to everyone I know. This is the best Asian comedy since the heyday of Jackie Chan and "Fighting Benny"! Go see it, buy it, whatever, just make sure you do see this film.

I would be surprised if there is not a sequel. This film should have been released theatrically in the US; I've heard Miramax handled it. Sorry guys you lost millions of dollars, this film would have been a smash hit. They probably just didn't think that soccer would sell in America, but word of mouth would have sold this movie very well.
 

The Departed

An undercover cop and a mole in the police attempt to identify each other while infiltrating an Irish gang in South Boston. 

Director: Martin Scorsese

Writers: William Monahan (screenplay), Alan Mak

Stars:  Leonardo DiCaprio, Matt Damon, Jack Nicholson


Storyline

In South Boston, the state police force is waging war on Irish American organized crime. Young undercover cop Billy Costigan is assigned to infiltrate the mob syndicate run by gangland chief Frank Costello. While Billy quickly gains Costello's confidence, Colin Sullivan, a hardened young criminal who has infiltrated the state police as an informer for the syndicate is rising to a position of power in the Special Investigation Unit. Each man becomes deeply consumed by their double lives, gathering information about the plans and counter-plans of the operations they have penetrated. But when it becomes clear to both the mob and the police both discover a mole in their midst, Billy and Colin are suddenly in danger of being caught and exposed to the enemy-and each must race to uncover the identity of the other man in time to save themselves. But is either willing to turn on their friends and comrades they've made during their long stints undercover?
 

The Departed Movie Reviews

 
Now I know that 'The Departed' is based off of the Hong Kong movie 'WuJianDao', but Scorsese really grabs hold of a great story and brings it to the American Screen. My father grew up in Boston and when we walked out of the theater he couldn't stop talking about how authentic the environment and attitude was. Then there's the acting in which the lead actors (Nicholson, DiCaprio, Damon) not only give stunningly entertaining performances, but you become engulfed in each one's perspective and dilemmas. The smaller roles that of (Baldwin, Walberg, Sheen) are supporting roles that remind me of Jesus Quintana from 'The Big Lebowski', by this I mean that their screen time is limited but they make lasting impressions that you cherish each and every scene they are in, Alec Baldwin especially. The story itself starts off with the basic intro of the players and the setting, but you'll find yourself slowing following each and every plot twist and rooting back and forth for the good guys and for the bad guys. If you're a Scorsese fan, which I am, I think you will appreciate this film. You can clearly see the Scorsese touch ranging from the cinematography and of course the music, it's great to hear "Gimme Shelter" again, but "Comfortably Numb" played in so well. It's another gangster flick from Scorsese, yet this one stands alone because feels so fresh and most would agree Scorsese does gangster films the best; so why not let him. Oscar worthy, the acting I certainly hope; this is DiCaprio's best role since 'The Aviator' which was his best role since 'Gangs of New York', am I seeing a pattern here. But my lasting impression wasn't concerned with the politics of the golden statue; my lasting impression was that I had sat through 2 and half hours of brilliant and especially entertaining storytelling. Thank you Mr. Scorsese.
 

New Police Story

A hero cop accidentally leads his team into a trap from which he is the only survivor. Drowning his guilt in booze, he is eventually assigned a new younger partner who turns out to have his own secrets. 

Director: Benny Chan

Writer: Alan Yuen (screenplay)

Stars: Jackie Chan, Nicholas Tse, Mak Bau


Storyline

Inspector Wing of the Hong Kong Police Force has become the victim of a gang, led by the evil Joe. When his entire team is killed, Wing becomes a hapless drunk, feeling guilty for the deaths of his team. A young man with a troubled past pretends to be a police officer working on the case with Wing, to get him back on his feet and begin an adventure to get revenge on the evil Joe and his Gang of Five, especially when it becomes personal.
 

New Police Story Movie Reviews

 
In comparison with his American efforts, any of his Chinese based movies easily outshines any of his newer US productions, and this particular one is no exception. Though Jackie Chan is getting older, it still doesn't stop him from making good (or bad) movies. It certainly doesn't stop a lot of US actors. If I can move like Jackie Chan does when I get to his age, i'd be glad. (Especially since I cant even do some of those moves now) The movie moves at a steady pace, with some parts that are a bit over-reaching and over-emotional, but has some really spectacular stunts and action. I am posting this review primarily as a counterpoint to the previous users comment. I don't understand why someone who doesn't like ANY of Jackie Chan's movies would write a (biased) review. I don't write reviews on movies I hate, and I don't go to movies featuring an actor/acress I don't enjoy, so I have to wonder why he did so.
 

A Dirty Carnival

Byung-du is a 29-year-old career criminal, working for the middle-rank enforcer Sang-chul. Burdened with a terminally ill mother and taking care of younger siblings, Byung-du is feeling 

Director: Ha Yoo (as Yoo Ha)

Writer: Ha Yoo (as Yoo Ha)

Stars: In-seong Jo, Ho-jin Chun, Je-mun Yun


Storyline

Byung-du is a 29-year-old career criminal, working for the middle-rank enforcer Sang-chul. Burdened with a terminally ill mother and taking care of younger siblings, Byung-du is feeling financial pressure as a substitute patriarch. When the big boss President Hwang is cornered by a corrupt prosecutor, Byung-du volunteers for a whack job and wins the big man's trust. However, his real trouble begins when friend Min-ho, an aspiring movie director, asks him to be a consultant for the latter's debut film.
 

A Dirty Carnival Movie Reviews

 
If you are looking for more in a gangster film than just violence and fights then this is the film for you.

This is a very well rounded film, in addition to some good scenes of violence, murder, betrayal and fights, there is a good splaterring of humour, family drama and a small bit of romance too.

The film centres around a low level gangster who through hard work and various violent acts begins to rise through the ranks.

One of the major messages of the film is about trust, friendship and betrayal.

The acting and directing are all very good, without the need to go over the top due to the excellent pacing of the film and a very good storyline.

Very highly recommended, the time to the end credits is just shy of 2H18, but it's well worth the time for the excellent twists and turns as the film goes on.
 

Nightcrawler

When Louis Bloom, a driven man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.

Director: Dan Gilroy

Writer: Dan Gilroy

Stars: Jake Gyllenhaal, Rene Russo, Bill Paxton

 

Storyline

NIGHTCRAWLER is a thriller set in the nocturnal underbelly of contemporary Los Angeles. Jake Gyllenhaal stars as Lou Bloom, a driven young man desperate for work who discovers the high-speed world of L.A. crime journalism. Finding a group of freelance camera crews who film crashes, fires, murder and other mayhem, Lou muscles into the cut-throat, dangerous realm of nightcrawling - where each police siren wail equals a possible windfall and victims are converted into dollars and cents. Aided by Rene Russo as Nina, a veteran of the blood-sport that is local TV news, Lou blurs the line between observer and participant to become the star of his own story.

 

Nightcrawler Movie Reviews

 
Whereas Gone Girl explored the wild misconceptions and dangerous influence of the media, Nightcrawler explores another even more corrupted facet of the entity's nature: shamelessly capitalizing on the popularity of crime television—violence, murder, blood, gunshots. The program's ratings continue heightening along with the network's desire for even more thrilling footage. Nightcrawler follows Louis Bloom (Jake Gyllenhaal) as he climbs up the ladder of success and builds a career through rash ambition. Lacking a formal education and adequate work experience, he's truly a victim of the unfair modern job market/unemployment. So, he says "screw it" and takes matters into his own hands, acting with sheer desperation and eagerness to reach that level of power and affluence America so often glorifies.

After personally witnessing a car accident on the freeway as snooping reporters close in, the scene lights a fire inside Louis and inspires him to give the job a try. Soon afterwards, he purchases a camcorder and a radio scanner, persistently discovering new crime scenes to capture on tape as intimately as he possibly can. Thus, his extensive coverage grabs the attention of a morning news channel, and a special relationship forms therein: a consistent supply of new gruesome/entertaining crime footage for an increasing sum of money. As we see the frightening lengths Louis is willing to strive towards in order to prove himself as a proficient workingman and elevate his value above and beyond, this grave thriller intermittently surprises us with effectively mocking twisted humor, but the incredibly deranged human psychology on display keeps us startled and tense throughout regardless.

Gyllenhaal arguably gives the absolute best performance of his career in a role that substantially differentiates from his earlier work. His creepy, relaxed composure hides the true inner scariness and ferocity. Publicly, Louis is a professional, polite, and upstanding citizen who's just looking to work hard. Privately, he violently yells in front of a mirror until he shatters it, as well as blackmails a TV news director to further his career. Rene Russo also impresses as the morning news director—almost as daring in her lust for more provocative violent imagery—who's beguiled by this eccentric and only (mistakenly) fuels Louis' psychotic drive. In addition, Riz Ahmed's Rick serves as Louis' gullible, clueless "employee" who just wants to escape the dispiriting state of homelessness and finally earn a living, completely unaware of the perilous and unethical situations he'll be cast in along his employer's selfishly ruthless path.

This isn't the kind of film whose quality solely relies on a central performance because the narrative is just as cruelly gripping. Unfortunately, the film industry is stocked with so many safe crowdpleasers and compromising thrillers that it's wholly refreshing to see these uncompromisingly grim, chilling psychological character studies occasionally pop up. The film becomes more morally repulsive and disturbing as it proceeds while the satire on the American Dream and merciless ambition becomes that much more brutal. Nightcrawler is deeply unsettling as well as it is honest in its portrayal—Los Angeles is actually the perfect setting, beautifully shot in its alluring and deceptive nighttime scenery. After all, it is probably the #1 destination for the unrelentingly audacious and reckless individuals of the nation in search of a prosperous career.

American Gangster

In 1970s America, a detective works to bring down the drug empire of Frank Lucas, a heroin kingpin from Manhattan, who is smuggling the drug into the country from the Far East. 

Director: Ridley Scott

Writers: Steven Zaillian, Mark Jacobson (article)

Stars: Denzel Washington, Russell Crowe, Chiwetel Ejiofor


Storyline

Following the death of his employer and mentor, Bumpy Johnson, Frank Lucas establishes himself as the number one importer of heroin in the Harlem district of Manhattan. He does so by buying heroin directly from the source in South East Asia and he comes up with a unique way of importing the drugs into the United States. As a result, his product is superior to what is currently available on the street and his prices are lower. His alliance with the New York Mafia ensures his position. It is also the story of a dedicated and honest policeman, Richie Roberts, who heads up a joint narcotics task force with the Federal government. Based on a true story.
 

American Gangster Movie Reviews

 
American Gangster may be the most boring, unoriginal, flaccid film that Ridley Scott has yet to make.

Coming from the man who created Alien, Gladiator, Black Hawk Down, and Blade Runner, it boggles my mind as to why this film was not infused whatsoever with his signature style, pacing, and panache.

This film tries so hard to be a sweeping epic crime saga, but in the end, cannot hold a candle to any Martin Scorsese work, for instance.

American Gangster is dull. Its also boring, pointless, flat, limp, and completely cliché ridden.

A combination of Serpico, Dead Presidents, Donnie Brasco, Goodfellas, Carlito's Way, and what have you... this film ends up being a mishmash, using mostly the boring parts of the aforementioned films.

None of the characters of very engrossing, with Denzel Washington's character coming across as inauthentic and about as deep as a puddle of water in the Gobi.

Interestingly enough, the film has no major glaring flaws, a testament to Ridley Scott's experience and craft. The script is acceptable, but lacking any style or idiosyncrasy and lacking any real depth. The story has no message, no meat - its just a random story; even having it based on real events gave it no gravitas. The acting is also acceptable, but lacking any bravado. Crowe is his likable credible self, showing flashes of energy - but unfortunately his character is nothing but a poor man's Frank Serpico. Denzel somehow totally misses the mark. His character is seriously underwritten, and Denzel gives us one note for almost 3 hours - and that is mostly of his now trademark "self-righteous African American". Despite being the "bad guy" in the film, Denzel does not give us a true villain. If the moral ground of this character is supposed to be grayed, giving us an anti-hero, its not. At least not sufficiently to give Denzel proper ammo to work with. What we get is a murderer and drug dealer, who is not such a bad guy because he buys a white man's mansion for his mother. Somebody please hold the bucket whilst I puke in it.... The rest of the supporting cast is also serviceable, but like the leads, lacks any true punch. One exception is Josh Brolin, who gives the one memorable turn as a crooked cop. The look of the film is interesting - a kind of grayish beige-ish wash out... as if you are looking at "cleaned up" 70's footage. However, like everything else in the film, the camerwork lacks the ballet and balls of Ballhaus or Richardson, for instance. Considering how Ridley Scott has taken the visuals of most his films to the limits, its a major disappointment that he decided to make the aesthetics of this film to be one dimensional.

The generic title of this film should have been a red-flag that American Gangster was going to be a flat, cliché-d, overlong flaccid crime "epic", with no interesting visuals, a boring pointless story, and characters devoid of any interest.